Kniha Chicago A.J. Liebling

Chicago

The Second City

Autor: A.J. Liebling
Jazyk: Angličtina
Vazba: Brožovaná
Dostupnost: Skladem u dodavatele
Odesíláme za 9-15 dnů
314
Many Chicagoans rose in protest over A. J. Liebling's tongue-in-cheek tour of their fair city in 195...

Informace o knize

Jazyk
Angličtina
Vazba
Kniha - Brožovaná
Vydáno
2004
Stránek
144
EAN
9780803280359
ISBN
0803280351
Enbook ID
04924358
Hmotnost
181
Rozměry
140 x 216 x 9

Kompletní popis

Many Chicagoans rose in protest over A. J. Liebling's tongue-in-cheek tour of their fair city in 1952. Liebling found much to admire in the Windy City's people and culture-its colorful language, its political sophistication, its sense of its own history and specialness, but Liebling offended that city's image of itself when he discussed its entertainments, its built landscapes, and its mental isolation from the world's affairs. Liebling, a writer and editor for the New Yorker, lived in Chicago for nearly a year. While he found a home among its colorful inhabitants, he couldn't help comparing Chicago with some other cities he had seen and loved, notably Paris, London, and especially New York. His magazine columns brought down on him a storm of protests and denials from Chicago's defenders, and he gently and humorously answers their charges and acknowledges his errors in a foreword written especially for the book edition. Liebling describes the restaurants, saloons, and striptease joints; the newspapers, cocktail parties, and political wards; the university; and the defining event in Chicago's mythic past, the Saint Valentine's Day Massacre. Illustrated by Steinberg, Chicago is a loving, if chiding, portrait of a great American metropolis. A. J. Liebling (1904-63) was a longtime contributor and columnist for the New Yorker. He wrote The Sweet Science and nineteen other books of nonfiction, including Mollie and Other War Pieces, also available in a Bison Books edition. Saul Steinberg was a cartoonist and illustrator best known for his covers and illustrations in the New Yorker.

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