Darkening Mirrors

Imperial Representation in Depression-Era African American Performance

Autor: Stephanie Leigh Batiste

Jazyk:

Vazba: Pevná

Vydavatel: Duke University Press

Dostupnost: 50 % šance

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In Darkening Mirrors, Stephanie Leigh Batiste examines how African Americans participated in U.S. cu...

Informace o knize

Autor

Stephanie Leigh Batiste

Jazyk

Angličtina

Vazba

Kniha - Pevná

Vydáno

2012

Stránek

352

EAN

9780822348986

ISBN

0822348985

Enbook ID

04939300

Vydavatel

Duke University Press

Hmotnost

676

Rozměry

163 x 239 x 28

Kompletní popis

In Darkening Mirrors, Stephanie Leigh Batiste examines how African Americans participated in U.S. cultural imperialism in Depression-era stage and screen performances. A population treated as second-class citizens at home imagined themselves as empowered, modern U.S. citizens and transnational actors in plays, operas, ballets, and films. Many of these productions, such as the 1938 hits Haiti and The "Swing" Mikado recruited large casts of unknown performers, involving the black community as participants as well as spectators. Performances of exoticism, orientalism, and primitivism are inevitably linked to issues of embodiment, including how bodies signify blackness as a cultural, racial, and global category. Whether enacting U.S. imperialism in westerns, dramas, dances, songs, jokes, or comedy sketches, African Americans maintained a national identity that registered a diasporic empowerment and resistance on the global stage. Boldly addressing the contradictions in these performances, Batiste challenges the simplistic notion that the oppressed cannot identify with oppressive modes of power and enact themselves as empowered subjects. Darkening Mirrors adds nuance and depth to the history of African American subject formation and stage and screen performance.

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Darkening Mirrors

Imperial Representation in Depression-Era African American Performance

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Kompletní popis

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