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Kniha Nonconforming Criticism Diana Damian Martin

Nonconforming Criticism

Political Practices and Poetics at the Borderlands of Performance

Autor: Diana Damian Martin
Jazyk: Angličtina
Vazba: Pevná
Vydavatel: Bloomsbury Publishing
Dostupnost: Očekávaná novinka
Termín neznámý
2 836 Kč
Published Open Access, Nonconforming Criticism examines forms of thinking at the borderlands of perf...

Informace o knize

Autor
Diana Damian Martin
Jazyk
Angličtina
Vazba
Kniha - Pevná
Vydáno
2025
Stránek
176
EAN
9781350178595
Enbook ID
47122209
Vydavatel
Bloomsbury Publishing
Hmotnost
453
Rozměry
169 x 244

Kompletní popis

Published Open Access, Nonconforming Criticism examines forms of thinking at the borderlands of performance that defy, dispute and resist the category of criticism.

Against the backdrop of forms of governance and regulation of thought under late liberalism, this book looks to those who refuse to reproduce colonial logics in criticism by investing in unruly experiments in thinking from, and through, performance. Focusing on the period between the early noughties and early twenty-twenties, the book analyses critical practices such as live writing, artist-led publications, zines, gatherings and experiments with video, sound and publishing from cultural workers and thinkers migrating across borders, knowledges and contexts. These practices are often peripheralized from established forms of criticism, yet they shape criticality as a form of political imagination.

Unpacking the logics that shape professionalised criticism, and in dialogue with decolonial, abolitionist and feminist theorisations of politics and knowledge, the book focuses on nonconforming criticism as a practice of unlearning. Structured into three parts, the book constitutes a partial lexicon of Borders, Experiments and Practices. It moves through forms of thinking-in-public that reconfigure relations of sensing and meaning between criticism, performance and political life, against the imperial and separatist logics of criticism and its entanglements.

The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Royal Central School of Speech and Drama.

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