Kniha Piercing Time Peter Sramek

Piercing Time

Autor: Peter Sramek
Jazyk: Angličtina
Vazba: Brožovaná
Vydavatel: Intellect Books
Piercing Time examines the role of photography in documenting urban change by juxtaposing contempora...

Informace o knize

Autor
Jazyk
Angličtina
Vazba
Kniha - Brožovaná
Vydáno
2013
Stránek
456
EAN
9781783200320
ISBN
1783200324
Enbook ID
02247445
Vydavatel
Hmotnost
1724
Rozměry
220 x 220 x 35

Kompletní popis

Piercing Time examines the role of photography in documenting urban change by juxtaposing contemporary "rephotographs" taken by the author with images of nineteenth-century Paris taken by Charles Marville, who worked under Georges Haussmann, and corresponding photographs by Eugene Atget taken in the early twentieth century. Revisiting the sites of Marville's photographs with a black cloth, tripod, and view camera, Peter Sramek creates here a visually stunning book that investigates how urban development, the use of photography as a documentary medium, and the representation of urban space reflect attitudes towards the city. The essays that run alongside these fascinating images discuss subjects such as the aesthetics of ruins and the documentation of the demolitions that preceded Haussmannization, as well as the different approaches taken by Marville and Atget to their work. The book also includes contemporary interviews with Parisians, extracts from Haussmann's own writing, and historical maps that allow for an intriguing look at the shifting city plan. Sure to be of interest to lovers of the city, be they Parisians or visitors, Piercing Time provides a unique snapshot of historical changes of the past 150 years. But it will also be of enduring value to scholars. The accurate cataloguing and high-quality reproductions of the images make it a resource for a significant portion of the Marville collection in the Musee Carnavalet, and it will aid further research in urban history and change in Paris over the past century and a half. Photographers will also be drawn to the book for its new thinking in relation to documentary methodologies.

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