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Rereading the Imperial Romance

British Imperialism and South African Resistance in Haggard, Schreiner, and Plaatje

Autor: Laura Chrisman

Jazyk:

Vazba: Pevná

Vydavatel: Oxford University Press

Dostupnost: Skladem u dodavatele

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This book examines literary romance as a vehicle for the ideological contradictions of British imper...

Informace o knize

Autor

Laura Chrisman

Jazyk

Angličtina

Vazba

Kniha - Pevná

Vydáno

2000

Stránek

252

EAN

9780198122999

ISBN

0198122993

Enbook ID

04521650

Vydavatel

Oxford University Press

Hmotnost

478

Rozměry

157 x 218 x 29

Kompletní popis

This book examines literary romance as a vehicle for the ideological contradictions of British imperialism in South Africa. Chrisman draws upon postcolonial theory and cultural materialism to discuss the imperialist Rider Haggard's fictional accounts of mining in King Solomon's Mines, and Zulu history in Nada the Lily, examining these novels as fraught responses to the introduction of capitalist modernity. She goes on to analyse the counter-narratives of metropolitan and African resistance of feminist Olive Schreiner and black nationalist Sol Plaatje. Exploring Schreiner's much-neglected Trooper Peter Halket of Mashonaland, Chrisman situates this book in relation to the violent creation of 'Rhodesia', the 1896-7 Shona uprisings, and contemporary criticism of Cecil Rhodes. In doing so, she shows how Schreiner's is a much more challenging example of anti-imperialist fiction than Conrad's Heart of Darkness, published two years later. Chrisman's discussion of Plaatje's MhudiDSthe first black African novel in EnglishDSconsiders the book as a direct response to Haggard's imperialism and Schreiner's feminist theory. Locating the book through the politics and epistemology of the early ANC, she reveals how Plaatje challenges Haggard's misogyny and fatalistic historiography. Mhudi, she argues, is a novel whose nationalist and sexual politics are considerably more complex than has been recognized. Plaatje uses his narrative form to articulate both radical and liberal alternatives to white South African rule. Chrisman's book demonstrates how South Africa played an important if now overlooked role in British imperial culture, and shows the impact of capitalism itself in the making of racial, gender and national identities. This book makes an original contribution to studies of Victorian literature of empire; South African literary history; African studies; black nationalism; and the literature of resistance.